The Complete Collected Poems of Maya Angelou by
For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.
Complete Poems, 1927-1979 by
Highly regarded throughout her prestigious literary career, and today seen as an undeniable master of her art, Elizabeth Bishop remains one of America's most influential and widely acclaimed poets. This is the definitive collection of her work. The Complete Poems includes the books North & South, A Cold Spring, Questions of Travel, and Geography III, as well as previously uncollected poems, translations, and juvenilia.
The Complete Poems of Carl Sandburg by
The definitive edition of the Pulitzer Prize-winning collection. “A marvelous prosody, a perfect ear for the beautiful potentials of common speech, something he learned from folk song, but mostly he learned from just listening” (Kenneth Rexroth).
Langston Hughes by
Sterling proudly announces an exciting and vibrant addition to Poetry for Young People: The first African-American themed book in the series, featuring the poems of the extraordinary Langston Hughes. Edited by the two leading experts on Hughes’s work, and illustrated by the brilliant Benny Andrews, this very special volume is one to treasure forever. A much-requested book that was years in the making…and well worth the wait. One of the central figures in the Harlem Renaissance—the flowering of black culture that took place in the 1920s and 30s—Langston Hughes captured the soul of his people, and gave voice to their concerns about race and social justice. His magnificent and powerful words still resonate today: that’s why it’s so important for young people to have access to his poems. Now they do, in a splendid volume edited and illustrated by a top-caliber team who are simply the best in their fields. The introduction, biography, and annotations come from Arnold Rampersad, a Professor and Dean at Stanford University, who has written The Life of Langston Hughes, and David Roessel, co-editor with Professor Rampersad of The Collected Poems of Langston Hughes and editor of the Langston Hughes collection in Knopf’s Everyman series. Benny Andrews—a painter, printmaker, and arts advocate whose work is in the permanent collection of the Metropolitan Museum, the Museum of Modern Art, and the Smithsonian, among others—has created gallery-quality illustrations that pulse with energy and add rich dimension to the poems. Among the anthologized poems are Hughes’s best-known and most loved works: “The Negro Speaks of Rivers”; “Aunt Sue’s Stories”; “Danse Africaine”; “Mother to Son”; “My People”; “Words Like Freedom”; “Harlem”; and “I, Too”—his sharp, pointed response to Walt Whitman’s earlier “I Hear America Singing.” Poetry for Young People: Langston Hughes is a publishing event for all to celebrate. A Selection of the Scholastic Book Club.
The New Anthology of American Poetry by
Volume I begins with a generous selection of Native American materials, then spans the years from the establishment of the American colonies to about 1900, a world on the brink of World War I and the modern era. Part One focuses on poetry from the very beginnings through the end of the eighteenth century. The expansion and development of a newly forged nation engendered new kinds of poetry. Part Two includes works from the early nineteenth century through the time of the Civil War. The poems in Part Three reflect the many issues affecting a nation undergoing tumultuous change: the Civil War, immigration, urbanization, industrialization, and cultural diversification. Such well-recognized names as Anne Bradstreet, Edward Taylor, Phillis Wheatley, Edgar Allan Poe, Herman Melville, Walt Whitman, Emily Dickinson, and Stephen Crane appear in this anthology alongside such less frequently anthologized poets as George Horton, Sarah Helen Whitman, Elizabeth Oakes-Smith, Frances Harper, Rose Terry Cooke, Helen Hunt Jackson, Adah Menken, Sarah Piatt, Ina Coolbrith, Emma Lazarus, Albery Whitman, Owl Woman (Juana Manwell) Sadakichi Hartmann, Ernest Fenollosa, James Weldon Johnson, Paul Laurence Dunbar, and--virtually unknown as a poet--Abraham Lincoln. It also includes poems and songs reflecting the experiences of a variety of racial and ethnic groups.
Old Possum's Book of Practical Cats by
Eliot’s famous collection of nonsense verse about cats-the inspiration for the Andrew Lloyd Webber musical Cats. This edition features pen-and-ink drolleries by Edward Gorey throughout.
The Poems of Emily Dickinson by
The author, one of the foremost scholars of Dickinson's manuscripts, has prepared a one-volume edition of all extant poems by Emily Dickinson, 1789 poems in all, rendered with Dickinson's spelling, punctuation, and capitilization intact.
Poetry for Young People - Edgar Allan Poe by
"Gr. 5 Up...spacious format; a wide variety of poems; and colorful, interpretive illustrations...."--SLJ. "The format is admirable: a handsome sampler of poems, with a short introductory essay, unfamiliar words briefly defined in footnotes, and a few prefatory sentences for each poem to establish context and aid interpretation. 13 of Poe's more accessible poems appear here, including The Raven,' The Bells,' Eldorado,' and Annabel Lee.'...concludes with passages from short stories that highlight Poe's mastery of prose....Cobleigh provides atmospheric art: an arresting picture of The Raven,' a cadaverous ghoul in The Bells,' and a depiction of the narrator of The Tell-Tale Heart' as a deranged Wee Willy Winky."--Kirkus Reviews. ". . . creepy, unnerving, chilling, and fascinating. . ."--Buzz Weekly. 48 pages (all in color), 8 1/2 x 10.
The Poetry of Robert Frost by
This is the only comprehensive volume of Robert Frost's published verse; in it are the contents of all eleven of his individual books of poetry-fromA Boy's Will (1913) to In the Clearing (1962). The editor, Edward Connery Lathem, has scrupulously annotated the more than 350 poems in this book.
Ralph Waldo Emerson by
Ralph Waldo Emerson: The Major Poetry presents a selection of definitively edited texts that remind us why Emerson's poetry matters and why he remains one of our most important theoreticians of verse. Drawn chiefly from the multivolume Collected Works, each poem is accompanied by a headnote for the student and general reader.
Selected Poems by
The classic volume by the distinguished modern poet, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters, showcases an esteemed artist's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world.
The Anchor Book of Chinese Poetry by
Unmatched in scope and literary quality, this landmark anthology spans three thousand years, bringing together more than six hundred poems by more than one hundred thirty poets, in translations-many new and exclusive to the book-by an array of distinguished translators. Here is the grand sweep of Chinese poetry, from the Book of Songs-ancient folk songs said to have been collected by Confucius himself-and Laozi's Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post--Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China's illustrious poetic tradition.
Anglophone Poetry in Colonial India, 1780-1913 by
Anglophone Poetry in Colonial India, 1780-1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh. The anthology brings together poets who were in fact colleagues, competitors, and influences on each other. The historical scope of the anthology, beginning with the famous Orientalist Sir William Jones and the anonymous "Anna Maria" and ending with Indian poets publishing in fin-de-siècle London, will enable teachers and students to understand what brought Kipling early fame and why at the same time Tagore's Gitanjali became a global phenomenon. Anglophone Poetry in Colonial India, 1780-1913 puts all parties to the poetic conversation back together and makes their work accessible to American audiences.With accurate and reliable texts, detailed notes on vocabulary, historical and cultural references, and biographical introductions to more than thirty poets, this collection significantly reshapes the understanding of English language literary culture in India. It allows scholars to experience the diversity of poetic forms created in this period and to understand the complex religious, cultural, political, and gendered divides that shaped them.
Anthology of Modern Japanese Poetry by
This much-praised collection features works by forty-nine acclaimed modern poets skilled in the styles of colloquial free verse, modern tanka, and haiku.
Bending the Bow by
From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa. This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent's celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart. Bending the Bow traces the development of African love poetry from antiquity to modernity while establishing a cross-millennial dialogue. The anonymously written love poems fromPharaonic Egypt that open the anthology both predate Biblical love poetry and reveal the longevity of written love poetry in Africa. The middle section is devoted to sung love poetry from all regions of the continent. These great works serve as the foundation for modern poetry and testify to love poetry's omnipresence in Africa. The final section, showcasing forty-eight modern African poets, celebrates the genre's continuing vitality. Among those represented are Muyaka bin Hajji and Shaaban Robert,two major Swahili poets; Gabriel Okara, the innovative though underrated Nigerian poet; Léopold Sédar Senghor, the first president of Senegal and a founder of the Negritude Movement in francophone African literature; Rashidah Ismaili from Benin; Flavien Ranaivo from Madagascar; and Gabeba Baderoon from South Africa. Ranging from the subtly suggestive to the openly erotic, this collection highlights love's endurance in a world too often riven by contention. Bending the Bow bears testimony to poetry's role as conciliator while opening up a new area of study for scholars and students.
Contemporary Caribbean Women's Poetry by
Contemporary Caribbean Women's Poetryprovides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry.
The Essential Rumi by
This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems. Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever. The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.
Five Decades, 1925-1970 by
This bilingual volume is the definitive collection of the poetry of Pablo Neruda, the 1971 Nobel Prize winner and one of the most profoundly influential poets of the twentieth century. His love poems are earthy and transcendent, and his political poems are the work of a man as incisive, impassioned, and ferociously intelligent as he was sensual. Ben Belitt has drawn the 138 selections inFive Decades from all of Neruda's major works, including the early volumes Residence on Earth, General Song, Elemental Odes, Voyages and Homecomings, Book of Vagaries, A Hundred Love Sonnets, Black Island Memorial, and the later The Hands of Day, World's End, and Skystones.
Madwomen by
A schoolteacher whose poetry catapulted her to early fame in her native Chile and an international diplomat whose boundary-defying sexuality still challenges scholars, Gabriela Mistral (1889OCo1957) is one of the most important and enigmatic figures in Latin American literature of the last century. The "Locas mujeres" poems collected here are among MistralOCOs most complex and compelling, exploring facets of the self "in extremis"OCopoems marked by the wound of blazing catastrophe and its aftermath of mourning. aaaaaaaaaaa From disquieting humor to balladlike lyricism to folkloric wisdom, these pieces enact a tragic sense of life, depicting OC madwomenOCO who are anything but mad. Strong and intensely human, MistralOCOs poetic women confront impossible situations to which no sane response exists. This groundbreaking collection presents poems from MistralOCOs final published volume as well as new editions of posthumous work, featuring the first English-language appearance of many essential poems. "Madwomen" promises to reveal a profound poet to a new generation of Anglophone readers while reacquainting Spanish readers with a stranger, more complicated OC madwomanOCO than most have ever known.aa"
Reinventing Romantic Poetry by
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic--the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet's muse as an idealized woman--Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women's writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women's, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Tracking the Banished Immortal by
Li Bo (701-762) has long inspired controversy among readers and critics. Known even during his lifetime as the "Banished Immortal," he continues to spark imaginations and challenge passionately held convictions about poetic values. In this lucid and gracefully written volume, Paula Varsano presents the first full-length study of Li Bo in English in half a century and the first extended look at the poet's critical reception. Persuaded that the essence of his poetry lay well beyond the reach of the usual modes of study and description, readers from the ninth to the twentieth century developed a particularly dynamic critical language. Varsano shows how this language, evolving out of the critical concepts of "emptiness" and "substance," answered the need to conceptualize shifting parameters of poetic creativity over hundreds of years. At the same time, she offers an account of Li Bo's entry into the canon and asks how this in turn transformed both the reception of his work and the transmission of his poetic persona. This story of Li Bo's critical reception and canonization is propelled by the malleable and elusive ideal of the "ancient." And so, Varsano devotes the second part of her study to the poems themselves, investigating those poetic manifestations of ancientness that translated into the enduring figure of the Banished Immortal.
World Poetry by
This long-awaited, indispensable volume contains more than 1600 poems drawn from dozens of languages and cultures, and spans a period of more than 4000 years from ancient Sumer and Egypt to the late twentieth century. World Poetry encompasses the many worlds of poetry, poetry of all styles, of all eras, of all tongues: from the ancient epic of Gilgamesh and the Pharaoh Akhnaten's "Hymn to the Sun" to the haiku of Basho and the dazzling imagery of Li Po; from Vedic hymns to Icelandic sagas to the "Carmina Burana"; from the magnificence of Homer and Dante to the lyricism of Goethe and Verlaine; from the piercing insights of Rilke and Yeats to the revelatory verse of Emily Dickinson, Garcia Lorca, Derek Walcott, Seamus Heaney, and many more.While World Poetry includes a generous selection of the best English-language verse from Chaucer to the present, it is designed to lay before the reader the best that all the world's cultures have to offer--more than eighty percent of the book is poetry originally written in languages other than English and translated by some of the finest talents working today, many of them brilliant poets in their own right.This is no mere sampler: In choosing only works of the highest intrinsic quality the editors have created a book that will surprise knowledgeable readers and lead newcomers to an understanding of the glories of world poetry that is our common heritage.
Aesthetes and Decadents of The 1890s by
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
Coleridge and Wordsworth by
Originally published in 1980, this is a study of the 'romanticism' of Coleridge and Wordsworth. Their concern with creativity, and the conditions that helped or hindered their own artistic development, produced a new concept of mental growth - a 'modern' view of the mind as organic, active, and unifying. In particular, we see how their aesthetics evolved from a personal and intuitional need to reaffirm 'value' in their own lives. Their discovery of the fundamental ambiguity of such intuition is discussed in relation to some ideas of Empson, Gombrich, and Ehrenzweig. As well as an essay in criticism, this is a contribution to the history of ideas, drawing together points in the background of philosophical and psychological theory from Hartley and Wesley to John Stuart Mill. Since many of our ideas about imagination, symbolism, and creativity are ultimately derived from Coleridge and Wordsworth, this is a book for students of romantic and modern literature.
The Complete Poems of Emily Jane Brontë by
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Brontë sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in my sister Emily's handwriting....I looked it over, amd something more than surprise seized me -- a deep conviction that these were not common effusions, nor at all like the poetry women generally write. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music -- wild, melancholy, and elevating." The renowned Hatfield edition of The Complete Poems of Emily Jane Brontë includes the poetry that captivated Charlotte Brontë a century and a half ago, a body of work that continues to resonate today. This incomparable volume includes Emily's verse from Poems by Currer, Ellis and Acton Bell as well as 200 works collected from various manuscript sources after her death in 1848. Some were deited and preserved by Charlotte and Arthur Bell Nichols; still others were discovered years later by Brontë scholars. Originally released in 1923, Hatfield's collection was the result of a remarkable attempt over twenty years to isolate Emily's poems from her sisters' and to achieve chronological order. Accompanied by an interpretive preface on "The Gondal Story" by Miss Fannie E. Ratchford, author of The Brontë's Web of Childhood, the edition is the definitive collection of Emily Brontë's poetical works.
The Complete Poetry of Percy Bysshe Shelley by
A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image... The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity--perhaps especially in these most apparently idiosyncratic gestures--provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."--from the Editorial Overview
The Court Poetry of Chaucer by
This work offers facing-page translations of lesser-known poems by Geoffrey Chaucer. The modernization of Chaucer's verse to date has been restricted largely to the longer poems such as The Canterbury Tales and Troilus and Criseyde. While these works demonstrate Chaucer's mastery of the epic and narrative forms, it is in the court poems that we hear what is closer to the actual voice of Chaucer speaking to his contemporaries.
Elizabeth Barrett Browning by
One of the leading poets of the nineteenth century, Elizabeth Barrett Browning had a profound influence on her contemporaries and on writers that followed her. This edition provides a rich and varied selection of Barrett Browning¿s poetry, including relatively neglected material from her early career and works never before included in editions of her poetry. The edition is comprehensively annotated and includes a critical introduction; detailed headnotes for each poem also provide the reader with a deep understanding of the historical, biographical, and literary contexts in which the poems were written.
The extensive appendices include reviews and criticism and material on factory reform and slavery, as well as religion and the Italian Question.
The Facts on File Companion to British Poetry, 1900 to the Present by
In 450 entries ranging in length from 300 to more than 2,500 words each, ""The Facts On File Companion to British Poetry: 1900 to the Present"" is a new A-to-Z encyclopedic guide that introduces high school and college students to some of the best-loved 20th and 21st-century British poets and poetry. Appendixes include a general bibliography and a glossary of poetic terms.
The Poetry of John Milton by
For sublimity and philosophical grandeur Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe. Gordon Teskey shows how Milton's aesthetic joins beauty to truth and value to ethics and how he rediscovers the art of poetry as a way of thinking in the world as it is, and for the world as it can be.
Thomas Hardy Imaging Imagination by
The author of this text offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms for the discovery of everyday and professional acts of imagination. The themes and forms examined here include narrative, conversation, gossip, memory, gender, poetry of place and imaginative threshold. Altogether the study is a contribution to theories of reflexivity, expanding and revising some of the analysis provided by Professor Hardy in The Appropriate Form and Tellers and Listeners.